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	<title>Annie Warburton</title>
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	<description>A rough book for jottings, images and ideas</description>
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		<title>Transience and the Good Dance</title>
		<link>http://anniewarburton.co.uk/transience-and-the-good/</link>
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		<pubDate>Sun, 13 Jan 2013 21:14:59 +0000</pubDate>
		<dc:creator>annie</dc:creator>
				<category><![CDATA[First post]]></category>
		<category><![CDATA[impermanence]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[I first read Irish Murdoch’s philosophy as a student half a lifetime ago.  A friend who’d read her at a similar age said today, ‘Isn’t that ridiculously young?’  I don’t think so.  I’m glad I studied Murdoch (and Heidegger, Hegel, Wittgenstein, Nietzsche and others) in my late teens and early twenties.  And I’m glad to [...]]]></description>
				<content:encoded><![CDATA[<p>I first read Irish Murdoch’s philosophy as a student half a lifetime ago.  A friend who’d read her at a similar age said today, ‘Isn’t that ridiculously young?’  I don’t think so.  I’m glad I studied Murdoch (and Heidegger, Hegel, Wittgenstein, Nietzsche and others) in my late teens and early twenties.  And I’m glad to be re-reading them and understanding them anew now.</p>
<p>This morning I revisited the final few pages of <a href="http://www.foyles.co.uk/witem/philosophy-psychology-social-sciences/the-sovereignty-of-good,iris-murdoch-9780415253994">The Sovereignty of the Good</a>.  It was this a sentence on impermanence that caught my eye:</p>
<p><em>“Goodness is connected with the acceptance of real death and real chance and real transience and only against the background of this acceptance, which is psychologically so difficult, can we understand the full extent of what virtue is like.”</em></p>
<p>I don’t claim to have mastered that psychological challenge. Here, though, is a short miscellany on acceptance of death, chance and real transience.</p>
<p>The mystery of impermanence is caught visually in Paula Rego’s The Dance.</p>
<div id="attachment_5" class="wp-caption alignnone" style="width: 488px"><a href="http://www.tate.org.uk/art/artworks/rego-the-dance-t05534"><img class="wp-image-5  " alt="The Dance 1988 by Paula Rego, Tate" src="http://anniewarburton.co.uk/wp-content/uploads/2013/01/T05534_10-1024x805.jpg" width="478" height="377" /></a><p class="wp-caption-text">The Dance 1988 by Paula Rego, Tate</p></div>
<p>This poem echoes Rego’s painting:</p>
<p><em>These are each of my selves</em><br />
<em>dancing.  Time passes and those</em><br />
<em>we are now will be gone</em><br />
<em>and those not yet here will arrive</em><br />
<em>dancing another self.</em><br />
<em>And all along the moon pulses</em><br />
<em>fat, and disappears.</em></p>
<p>The mystery of time and identity in Rego&#8217;s painting calls to mind T.S. Eliot&#8217;s <a href="http://www.foyles.co.uk/witem/fiction-poetry/four-quartets,t-s-eliot-9780571068944">Four Quartets</a>.  Here&#8217;s the opening from Burnt Norton:</p>
<p><em>&#8220;Time present and time past</em><br />
<em> Are both perhaps present in time future</em><br />
<em> And time future contained in time past.&#8221;</em></p>
<p>And of course dance was a metaphor that Eliot, too, used to communicate the paradoxes of permanence and change, stillness and movement:</p>
<p><em>&#8220;At the still point of the turning world. Neither flesh nor fleshless;</em><br />
<em> Neither from nor towards; at the still point, there the dance is,</em><br />
<em> But neither arrest nor movement. And do not call it fixity,</em><br />
<em> Where past and future are gathered. Neither movement from nor towards,</em><br />
<em> Neither ascent nor decline. Except for the point, the still point,</em><br />
<em> There would be no dance, and there is only the dance.&#8221;</em></p>
<p>Transience, death, the good life: all classic poetic topics.  And the master of flux and transformation is Ovid.  In <a href="http://www.foyles.co.uk/mpitem/marketplace/the-master-and-his-emissary-the,iain-mcgilchrist-9780300148787">The Master and His Emissary</a>, his absorbing and profound exposition of the influence of the divided brain on Western culture, <a href="www.iainmcgilchrist.com/">Iain McGilchrist</a> quotes this passage. It&#8217;s from the Metamorphoses, where else?</p>
<p><em>&#8220;…Full sail, I voyage</em><br />
<em>Over the boundless ocean, and I tell you</em><br />
<em>Nothing is permanent in all the world.</em><br />
<em>All things are fluid; every image forms,</em><br />
<em>Wandering through change.  Time is itself a river</em><br />
<em>In constant movement, and the hours flow by</em><br />
<em>Like water, wave on wave, pursued, pursuing,</em><br />
<em>Forever fugitive, forever new.</em><br />
<em>That which has been, is not; that which was not, begins to be; motion and moment always</em><br />
<em>In process of renewal…</em></p>
<p><em>Not even the so-called elements are constant… </em></p>
<p><em>Nothing remains the same: the great renewer,</em><br />
<em>Nature, makes form from form, and, oh, believe me</em><br />
<em>That nothing ever dies.&#8221;</em></p>
<p>On metamorphosis, how &#8220;the great renewer, Nature, makes form from form&#8221;, and the brain seeks pattern amid the random, I spotted a turbaned figure in the sinuous trunk of a tree on Bristol&#8217;s <a href="http://en.wikipedia.org/wiki/The_Downs,_Bristol">Downs </a>:</p>
<div id="attachment_30" class="wp-caption aligncenter" style="width: 370px"><a href="http://anniewarburton.co.uk/wp-content/uploads/2013/01/IMG_0676.jpg"><img class="wp-image-30 " alt="Figure in tree, Bristol Downs, 2012." src="http://anniewarburton.co.uk/wp-content/uploads/2013/01/IMG_0676-768x1024.jpg" width="360" height="478" /></a><p class="wp-caption-text">Figure in tree, Bristol Downs, 2012.</p></div>
<p>&nbsp;</p>
<p>This is a miscellany, a collection is all, of short thoughts forming, not yet taken shape, metamorphosing.  But there seems hardly more apt a subject than transience for the first post of a new blog, that most transient of media.</p>
<p>&nbsp;</p>
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